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	<title>DigitalBurn.org &#187; Recording</title>
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	<link>http://www.digitalburn.org</link>
	<description>Electronic Music Production</description>
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		<title>Tips and tricks for double tracking</title>
		<link>http://www.digitalburn.org/tips-and-tricks-for-double-tracking/</link>
		<comments>http://www.digitalburn.org/tips-and-tricks-for-double-tracking/#comments</comments>
		<pubDate>Fri, 28 Nov 2008 05:19:26 +0000</pubDate>
		<dc:creator>digitalburn</dc:creator>
				<category><![CDATA[Recording]]></category>
		<category><![CDATA[Tips and Tricks]]></category>

		<guid isPermaLink="false">http://www.digitalburn.org/?p=194</guid>
		<description><![CDATA[


 Double tracking is one of the more commonly used methods of thickening up a track and giving the overall sound greater depth. Vocals and guitar tracks are the two things that benefit most from double tracking in my opinion. When double tracking the guitars, you really want to try and make it seem like [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Exploring Smart Studio</title>
		<link>http://www.digitalburn.org/exploring-smart-studio/</link>
		<comments>http://www.digitalburn.org/exploring-smart-studio/#comments</comments>
		<pubDate>Thu, 06 Sep 2007 02:07:45 +0000</pubDate>
		<dc:creator>digitalburn</dc:creator>
				<category><![CDATA[Recording]]></category>

		<guid isPermaLink="false">http://www.digitalburn.org/exploring-smart-studio/</guid>
		<description><![CDATA[


 It's not everyday that you get the opportunity to stroll through Smart Studios, but thanks to the magical powers of YouTube, we can get a glimpse of what things are like.
Smart Studios are located in Madison WI, and founded/owned by producers Butch Vig and Steve Marker. If you don't know who they are then [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Adam Dutkiewicz talks about his production philosophies</title>
		<link>http://www.digitalburn.org/adam-dutkiewicz-talks-about-his-production-philosophies/</link>
		<comments>http://www.digitalburn.org/adam-dutkiewicz-talks-about-his-production-philosophies/#comments</comments>
		<pubDate>Mon, 16 Jul 2007 10:16:58 +0000</pubDate>
		<dc:creator>digitalburn</dc:creator>
				<category><![CDATA[Articles and Interviews]]></category>
		<category><![CDATA[Recording]]></category>

		<guid isPermaLink="false">http://www.digitalburn.org/adam-dutkiewicz-talks-about-his-production-philosophies/</guid>
		<description><![CDATA[In August 2005, Future Music magazine published a story about â€œ21st Century guitarist-producersâ€. Among the featured artists was Adam Dutkiewicz. What follows is an excerpt from the article, that covers Adam Dutkiewiczâ€™s  approach to recording hard edged music. Please excuse any typoâ€™s as I typed this out myself.
SOUND
A graduate of the Berklee School of [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>How to sound like the Killers</title>
		<link>http://www.digitalburn.org/how-to-sound-like-the-killers/</link>
		<comments>http://www.digitalburn.org/how-to-sound-like-the-killers/#comments</comments>
		<pubDate>Thu, 03 May 2007 15:09:57 +0000</pubDate>
		<dc:creator>digitalburn</dc:creator>
				<category><![CDATA[Recording]]></category>
		<category><![CDATA[Soft Synths]]></category>
		<category><![CDATA[Tips and Tricks]]></category>

		<guid isPermaLink="false">http://www.digitalburn.org/how-to-sound-like-the-killers/</guid>
		<description><![CDATA[Here is an interesting track by track, blow by blow description for "How to sound like the Killers". This may have come from Computer Music site, but I can't actually remember where I found it now. All songs are from the Killers debut album, Hot Fuss.
Track 1
â€œJenny Was A Friend Of Mineâ€ opens with a [...]]]></description>
		<wfw:commentRss>http://www.digitalburn.org/how-to-sound-like-the-killers/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>One Man Garage Band</title>
		<link>http://www.digitalburn.org/one-man-garage-band/</link>
		<comments>http://www.digitalburn.org/one-man-garage-band/#comments</comments>
		<pubDate>Fri, 13 Apr 2007 11:12:46 +0000</pubDate>
		<dc:creator>digitalburn</dc:creator>
				<category><![CDATA[Articles and Interviews]]></category>
		<category><![CDATA[Recording]]></category>

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		<description><![CDATA[Here's a link to an interesting article posted on the Age website today. It discusses home recording and the effect it has had on the music industry.
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Plugging into Trent Reznor&#8217;s Digital World</title>
		<link>http://www.digitalburn.org/plugging-into-trent-razors-digital-world/</link>
		<comments>http://www.digitalburn.org/plugging-into-trent-razors-digital-world/#comments</comments>
		<pubDate>Thu, 12 Apr 2007 05:36:34 +0000</pubDate>
		<dc:creator>digitalburn</dc:creator>
				<category><![CDATA[Articles and Interviews]]></category>
		<category><![CDATA[Recording]]></category>

		<guid isPermaLink="false">http://www.digitalburn.org/plugging-into-trent-razors-digital-world/</guid>
		<description><![CDATA[I was reading through some old Guitar World magazines the other day and found an article/interviews with Trent Reznor, following the release of the Fragile. Here is a brief excerpt.
Plugging into Trent Reznor's Digital World
Excerpt from Guitar World
June 2000
By Alan di Perna
"The training I've had on piano sometimes gets in the way," Trent Reznor muses. [...]]]></description>
		<wfw:commentRss>http://www.digitalburn.org/plugging-into-trent-razors-digital-world/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Using compression on bass frequencies</title>
		<link>http://www.digitalburn.org/compression-on-bass/</link>
		<comments>http://www.digitalburn.org/compression-on-bass/#comments</comments>
		<pubDate>Tue, 10 Apr 2007 06:35:54 +0000</pubDate>
		<dc:creator>digitalburn</dc:creator>
				<category><![CDATA[Recording]]></category>

		<guid isPermaLink="false">http://www.digitalburn.org/compression-on-bass/</guid>
		<description><![CDATA[Sound engineers will tell you that generally itâ€™s best to compress the signal at the point where the least amount of bass is present (at least thatâ€™s what Iâ€™ve heard). Think of a thumping bass line. The bass frequencies carry a lot of energy, and a compressor responds to changes in the level of the [...]]]></description>
		<wfw:commentRss>http://www.digitalburn.org/compression-on-bass/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Using Compression and EQ together</title>
		<link>http://www.digitalburn.org/using-compression-and-eq-together/</link>
		<comments>http://www.digitalburn.org/using-compression-and-eq-together/#comments</comments>
		<pubDate>Mon, 09 Apr 2007 06:12:15 +0000</pubDate>
		<dc:creator>digitalburn</dc:creator>
				<category><![CDATA[Recording]]></category>

		<guid isPermaLink="false">http://www.digitalburn.org/using-compression-and-eq-together/</guid>
		<description><![CDATA[Figuring out how to order effects can be a little on the tricky side. Generally Iâ€™d say that there are no rules in this area, just guidelines to get you started.
Two effects most commonly used in the mixing process are EQ and compression. In a perfect world, if everything is recorded properly, EQ and compression [...]]]></description>
		<wfw:commentRss>http://www.digitalburn.org/using-compression-and-eq-together/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Chris Lord-Alge on recording the guitar</title>
		<link>http://www.digitalburn.org/chris-lord-alge-on-recording-the-guitar/</link>
		<comments>http://www.digitalburn.org/chris-lord-alge-on-recording-the-guitar/#comments</comments>
		<pubDate>Wed, 28 Mar 2007 05:40:05 +0000</pubDate>
		<dc:creator>digitalburn</dc:creator>
				<category><![CDATA[Recording]]></category>

		<guid isPermaLink="false">http://www.digitalburn.org/chris-lord-alge-on-recording-the-guitar/</guid>
		<description><![CDATA[I read this interesting interview with recording guru Chris Lord-Alge on the DiscMakers website. The whole interview is pretty good, but I found the most interesting section was when he was asked to share some of his techniques for getting the best sounds from electric guitars as possible. 
You want the guitar player to get [...]]]></description>
		<wfw:commentRss>http://www.digitalburn.org/chris-lord-alge-on-recording-the-guitar/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Preparing to hit the record button</title>
		<link>http://www.digitalburn.org/preparing-to-hit-the-record-button/</link>
		<comments>http://www.digitalburn.org/preparing-to-hit-the-record-button/#comments</comments>
		<pubDate>Tue, 06 Mar 2007 01:43:43 +0000</pubDate>
		<dc:creator>digitalburn</dc:creator>
				<category><![CDATA[Recording]]></category>

		<guid isPermaLink="false">http://www.digitalburn.org/preparing-to-hit-the-record-button/</guid>
		<description><![CDATA[When your preparing to hit the recording studio, there are more things to consider than simply turning up on time (although obviously that's important!). The Hometracked blog has posted some basic (might I suggest commonsense?) tips, that point out a couple of the often overlooked things that you should be doing prior to hitting the [...]]]></description>
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		<slash:comments>0</slash:comments>
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